Though the timing of its announcement is simply coincidental with the CP+ 2015 show, Samsung's replacement for its NX300 interchangeable-lens camera deserves a little bit more than the relative stealth it received. The NX500 incorporates tons of the latest technology from the company crammed into a compact package designed for people who want to step up from a point-and-shoot to better photo quality and speed.
It's on the expensive side given that it doesn't have a viewfinder -- $800, £600 and AU$1,000 for the kit with the 16-50mm f3.5-5.6 power zoom lens -- though it's a better deal relative to the competition in the UK and Australia than in the US. It's due out around the world in March.
What's new
I could list it all, but suffice it to say that everything on the inside is new, and some of the outside looks redesigned for the better.
Samsung has crammed most of the high-end components from the NX1 into the NX500's body: same sensor, same DRIMe V image processor, same hybrid phase-detection/contrast autofocus sensor, andalmost the same 4K recording capabilities (it can't stream 4K over HDMI and has no mic input). As a result, it should perform quite well. Though it can't match the NX1 on continuous-shooting speed, 9 frames per second is nothing to sneeze at (caveat: I don't know if that's with autofocus).
The design is updated as well. Rather than an articulated display, it uses a flip-up LCD like the NX300M, because selfies. It also has a more substantial grip, a physical autoexposure lock button, two adjustment dials -- one on top and one on the back -- and a zoom switch to use in conjunction with power zoom lenses like the one that comes in the kit. The record button has also been relocated to one of my least favorite spots, on an angled ledge above the thumb grip; I find it really hard to press those and it requires an awkward hand position to operate.
The mode dial now includes Samsung's SAS (Samsung Auto Shot) mode, which uses motion detection in addition to tracking autofocus in order to predict the "right" moment to capture in a burst.
It will come in the same two-tone silver and leatherette options as the NX300, black, white or brown.
My take
I'm torn. On one hand, most of the NX500's competitors run about $600 (£400-£550, AU$800) for similar kits, and kits in its price class like the Sony A6000 or Panasonic GX7 usually have a built-in electronic viewfinder, which makes shooting action less cumbersome. Plus, it's more than most people are looking to spend for a step-up model, especially when a comparable dSLR costs the same amount. Additionally, the NX500's sensor has an OLPF; the NX300's didn't, and it had great buzz about the image quality.
However, the NX500 does include some hot features like 4K video and an advanced hybrid autofocus system; the other models are older or lack comparable video capabilities.
Comparative specs
| Panasonic Lumix DMC-GX7 | Samsung NX300 | Samsung NX500 | Sony Alpha A6000 | |
| Sensor effective resolution | 16MP Live MOS | 20.3MP Hybrid CMOS | 28.2MP BSI CMOS | 24.3MP Exmor HD CMOS 14-bit |
| Sensor size | 17.3mm x 13mm | 23.5mm x 15.7mm | 23.5 x 15.7 mm | 23.5 x 15.6mm |
| Focal-length multiplier | 2.0x | 1.5x | 1.5x | 1.5x |
| OLPF | Yes | No | Yes | Yes |
| Sensitivity range | ISO 125 (exp)/200 - ISO 25600 | ISO 100 - ISO 25600 | ISO 100 - ISO 25600/51200 (exp) | ISO 100 - ISO 25600 |
| Burst shooting | 4.3fps unlimited JPEG/7 raw (40 fps with electronic shutter) | 8.6fps n/a | 9fps n/a | 11fps n/a |
| Viewfinder (mag/ effective mag) | EVF n/a 2.8m dots 100% coverage 1.37x/0.7x | None | None | OLED EVF 0.4 in/10 mm 1.44 million dots 100% coverage 1.07x/0.71x |
| Hot shoe | Yes | Yes | Yes | Yes |
| Autofocus | 23-area Contrast AF | 105-point phase-detection, 247-point contrast AF | 205 phase-detection AF (153 cross-type) 209 contrast AF | 179-point phase detection, 25-area contrast AF |
| AF sensitivity | -4 - 18 EV | n/a | -4 - 20 EV | 0- 20 EV |
| Shutter speed | 60 -1/8,000 sec; max 1/16,000 sec with electronic shutter; 1/320 sec x-sync; bulb to 2 minutes | 30-1/6000 sec.; bulb to 4 minutes; 1/180 x-sync | 30-1/6,000 sec; bulb to 4 minutes; 1/180 x-sync | 30-1/4000 sec.; bulb; 1/160 x-sync |
| Shutter durability | n/a | n/a | n/a | n/a |
| Metering | 1,728 zone | 221 segment | 221 area | 1,200 zone |
| Metering sensitivity | 0 - 18 EV | 0 - 18 EV | n/a | 0 - 20 EV |
| Best video | AVCHD 1080/60p, 30p, 25p, 24p @ 28Mbps | H.264 MPEG-4 1080/60p | H.265 MP4 UHD/30p, C4K/24p, 1080/60p, 50p | AVCHD 1080/60p @ 28Mbps |
| Audio | Stereo | Stereo | Stereo | Stereo; mic (via accessory shoe) |
| Manual aperture and shutter in video | Yes | Yes | Yes | Yes |
| Maximum best-quality recording time per clip | 4GB/29:59 minutes | 29:59 minutes | 29 minutes | 29 minutes |
| Clean HDMI out | n/a | n/a | Yes | n/a |
| IS | Optical | Optical | Optical | Optical |
| LCD | 3-inch/7.5 cm Fixed touchscreen 1.04 million dots | 3.3-inch/8.4cm AMOLED tilting touchscreen 768,000 dots | 3-inch/7.5cm AMOLED tilting touchscreen 921,600 dots | 3-inch/7.5cm Flip-up touchscreen 921,600 dots |
| Memory slots | 1 x SDXC | 1 x SDXC | 1 x SDXC | 1 x SDXC |
| Wireless connection | Wi-Fi, NFC | Wi-Fi, NFC | Wi-Fi, NFC | Wi-Fi, NFC |
| Flash | Yes | Bundled optional | Bundled optional | Yes |
| Wireless flash | No | No | No | No |
| Battery life (CIPA rating) | 320 shots | 330 shots | 400 (est.) | 420 shots |
| Size (WHD) | 4.8 x 2.8 x 2.2 in 122.6 x 70.7 x 54.6 mm | 4.8 x 2.5 x 1.6 in 122 X 63.7 X 42.7 mm | 4.7 x 2.5 x 1.7 in 119.5 x 63.6 x 42.5 mm | 4.8 x 2.9 x 1.8 in 120 x 66.9 x 45.1 mm |
| Body operating weight | 14.24 oz (est.) 402 g (est.) | 10.9 oz (est.) 310 g (est.) | 10.9 oz (est.) 310 g (est.) | 11.6 oz 330 g |
| Primary kit | $700 £900 (est.) AU$1,150 (with 14-42mm lens) | $750 AU$450 (with 18-55mm lens) £350 (with 20-50mm lens) | $800 £600 AU$1,000 (with 16-50mm PZ lens) | $700 £700 AU$1,00 (with 15-60mm PZ lens) |
| Release date | July 2013 | March 2013 | March 2015 | April 2014 |
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